![]() It’s rare that every dialogue stringout is watched from beginning to end. Especially since, while most top editors pride themselves on watching all of the footage, they generally watch every take in the normal way, from beginning to end, making notes. ![]() If a line shows up in the wide shot, a medium, a close-up, and an over the shoulder, even if it’s not focused on the key actor, you include it in this stringout.įor many first-time assistants, this can seem like incredibly tedious work. This is the creation of a new timeline for every single line of dialogue in the script, which then cuts together every single angle on that line of dialogue. Dialogue StringoutsĪ slightly less common, and more laborious, type of stringout is a dialogue stringout. Watching through each angle, while it might occasionally be tedious, will offer real depth of knowledge for the material. ![]() While Multicam mode might be useful for syncing with preferred audio and as an editing tool, at the stringout phase it’s generally useful to lay out each camera one at a time. If multiple cameras are used, some editors are tempted to use Multicam mode and to only watch one angle of the dailies. At this stage, it’s still not possible to know precisely what parts of the shot will be used. There are many performances built out of the moments after the slate leaves frame and before the director calls “action.” At the stringout stage, trim out parts of the shot that are clearly unusable (if there is a camera assistant holding a slate at the start, or after cut if the camera operator pans over to see the boom operator), but leave as much room as possible. However, be careful when cutting off top and tails that you don’t trim useable material. Generally the assistant, or sometimes the lead editor, will trim the top and tails of a scene to only include the “meat” and not the slates, since often slate information is available in the audio file or the clip name and you don’t need to see the slate in the picture in the string. The most common stringout is a dailies stringout that shows you all of your shots for a given scene in order. With digital production, however, you get a bin full of clips, and stringouts are the main tool used for getting a handle on precisely what footage was shot.īecause of the multi-faceted nature of post-production, there are many different situations where an assistant might be expected to prepare a stringout for different types of material, and it’s good to have a handle on all of them. ![]() Back in the film production days, you got a lab roll of dailies, scanned it in and had a natural stringout that post teams could watch through. It’s any time in the post process where you put together a large selection of footage in order to see it all at once and know what your options are. The only time you see all the items in a wardrobe, the ones that go together and the ones that don’t, is on laundry day, when they all get hung up on the line one at a time, with plenty of space between them. Of course, with that perfect outfit, you aren’t seeing the entire piece of clothing: a shirt is tucked into pants, partially hidden behind a jacket or a scarf. Every shot goes together seamlessly and feels like it was always meant to be exactly as it is, like a perfectly-coordinated outfit. A perfect edit is like the perfect outfit.
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